诱饵2019
类型:剧情 / 地区:英国 / 年份:2019
主演:Morgan,Val,Baker,Georgia,Ellery,Martin,Ellis,Chloe,Endean,St
导演:马克·詹金
更新:2026-10-16
简介:
康沃尔渔村的
康沃尔渔村的风景明信片(piàn )(🥇)田园(yuán )诗误导了人们(men )。虽然(rán )过去钓鱼是(shì )一(yī )(🤴)种养(yǎng )家(🔧)糊(hú )(🎗)口的方(🥈)式,但(🌰)如今富有的伦敦游(yóu )客纷纷下山,取代了当地(dì )人,当(dāng )地(dì )人(rén )的(🐿)生计因此受到威胁。史蒂(👁)文和马(mǎ )丁兄弟(dì )的关(🏐)系(🚥)也很紧张。马丁是(shì )(🗑)一个(🍮)没有(🙁)船的(de )(🚸)渔(yú )夫,因为史蒂文开始用它来为(🌙)一整天的游客提供(🚨)更赚(⏯)钱的旅游。他们(men )卖掉了这座家庭(tíng )别墅,现(xiàn )在看来(🙌),最(zuì )后(hòu )一场战斗是和新主(🎾)人在海边的(de )停车位(wèi )上(shàng )展开。然(⛳)而(ér ),情况很(hěn )(🏯)快就失控(kòng )了,而(🚴)不(🧣)仅仅(jǐn )(⚾)是因(🌮)为(wéi )车轮夹钳(❕)。 (💔)Bait是一种黑(hēi )白(🦇),手工制作(🐛),16毫(háo )米胶片制作的电影。许多(duō )关(guān )于鱼、(🙎)网、龙虾、长靴、绳结和(hé )渔篮(👌)的特写(xiě )镜头让(♌)人想起(🐞)了蒙太奇(qí )景点的理论。对不(bú )同社会阶(💣)层(🔥)的描述——可(🚽)以说是阶级关系(👗)——也让人(rén )想起了(🛃)英国(👩)电影中的社会(huì )(✖)现实主义(yì )传统。然而,最重(🈺)要(⏺)的是(🔮),在(🈳)影像中不同层次的电影(yǐng )历史参考(kǎo )(😲)文献之(🏡)下,当(🈸)前许多政(🍾)治关联正在等待被发(🏗)现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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